Description
Avatar and Nature Spirituality explores the cultural and religious significance of James Cameron's film Avatar (2010), one of the most commercially successful motion pictures of all time. Its success was due in no small measure to the beauty of the Pandora landscape and the dramatic, heart-wrenching plight of its nature-venerating inhabitants. To some audience members, the film was inspirational, leading them to express affinity with the film's message of ecological interdependence and animistic spirituality. Some were moved to support the efforts of indigenous peoples, who were metaphorically and sympathetically depicted in the film, to protect their cultures and environments. To others, the film was politically, ethically, or spiritually dangerous. Indeed, the global reception to the film was intense, contested, and often confusing.
To illuminate the film and its reception, this book draws on an interdisciplinary team of scholars, experts in indigenous traditions, religious studies, anthropology, literature and film, and post-colonial studies. Readers will learn about the cultural and religious trends that gave rise to the film and the reasons these trends are feared, resisted, and criticized, enabling them to wrestle with their own views, not only about the film but about the controversy surrounding it. Like the film itself, Avatar and Nature Spirituality provides an opportunity for considering afresh the ongoing struggle to determine how we should live on our home planet, and what sorts of political, economic, and spiritual values and practices would best guide us.
Reviews
If, as ecocinema scholar Adrian Ivakhiv suggests, a film is not only what happens between the dimming and brightening of theatre lights, if it is also what happens in our discussions about it, then this collection brilliantly takes the measure of the conversations surrounding the highest-grossing blockbuster of all time. Better still, the book draws you back into the dialogue, and asks you to reconsider what you think you know about a film so provocative that it has taken centre-stage in the global imagination.
- Joni Adamson, Arizona State University, co-editor of American Studies, Ecocriticism and Citizenship: Thinking and Acting in the Local and Global Commons